Category Archives: Literature

Herman Melville’s Moby Dick (1851)

This is one of my wife’s favourite works of lit­er­a­ture, and whilst read­ing it she was intrigued to the point of obses­sion by its descrip­tive majesty con­cern­ing the whale hunter’s trade. Not that Sal is an adher­ent of whale killing, you under­stand, but in Her­man Melville’s Moby Dick no stone is left unturned in his descrip­tions of life at sea for a nine­teenth cen­tu­ry whaler, and to read the book, as I did myself lat­er, is a fas­ci­nat­ing voy­age indeed.

D H Lawrence called it the “great­est book of the sea ever writ­ten”. It is a sweep­ing and detailed study of the obses­sive quest by the enig­mat­ic one-legged Cap­tain Ahab to track down and kill the elu­sive white whale that was respon­si­ble for his miss­ing limb. The ship that Ahab cap­tains is the Pequod, leav­ing the Mary­land port of Nan­tuck­et on a whal­ing expe­di­tion and crewed by vet­er­ans of this tough­est of careers: expe­di­tions typ­i­cal­ly last­ed six months or more, often years (the longest whal­ing voy­age is believed to be that of the Ship Nile from 1858 to 1869 — eleven years!).

The nar­ra­tive voice is that of Ish­mael (Call me Ish­mael…the novel’s famous open­ing line) and he has signed up with the Pequod amid an array of colour­ful char­ac­ters. Nan­tuck­eters rub shoul­ders with Poly­ne­sians, Amer­i­can Indi­ans, Africans; har­pooneers with boat­steer­ers; black­smiths with carpenters…and all of them under the absolute con­trol and com­mand of Ahab. Ish­mael may be a “green hand” but he is evi­dent­ly a wide­ly read man, as the lit­er­ary and Bib­li­cal allu­sions fly thick and fast, along­side a dizzy­ing array of tech­ni­cal expo­si­tions, ceto­log­i­cal lore, and abun­dant nau­ti­cal vocab­u­lary and seaman’s slang.

Long regard­ed in the last cen­tu­ry as a “Great Amer­i­can Nov­el”, the book was actu­al­ly a com­mer­cial fail­ure dur­ing Melville’s life­time and had only sold about three thou­sand copies by the time of his death. Like many works of genius, it per­haps need­ed the rest of the world to “catch up” with it its broad sweep.

In any event, here’s a piv­otal encounter with Moby Dick him­self in which Ahab’s dement­ed obses­sion is stark­ly man­i­fest­ed.

Sud­den­ly the waters around them slow­ly swelled in broad cir­cles; then quick­ly upheaved, as if side­ways slid­ing from a sub­merged berg of ice, swift­ly ris­ing to the sur­face. A low rum­bling sound was heard; a sub­ter­ra­ne­ous hum; and then all held their breaths; as bedrag­gled with trail­ing ropes, and har­poons, and lances, a vast form shot length­wise, but oblique­ly from the sea. Shroud­ed in a thin droop­ing veil of mist, it hov­ered for a moment in the rain­bowed air; and then fell swamp­ing back into the deep. Crushed thir­ty feet upwards, the waters flashed for an instant like heaps of foun­tains, then bro­ken­ly sank in a show­er of flakes, leav­ing the cir­cling sur­face creamed like new milk round the mar­ble trunk of the whale.

“Give way!” cried Ahab to the oars­men, and the boats dart­ed for­ward to the attack; but mad­dened by yes­ter­day’s fresh irons that cor­rod­ed in him, Moby Dick seemed com­bined­ly pos­sessed by all the angels that fell from heav­en. The wide tiers of weld­ed ten­dons over­spread­ing his broad white fore­head, beneath the trans­par­ent skin, looked knit­ted togeth­er; as head on, he came churn­ing his tail among the boats; and once more flailed them apart; spilling out the irons and lances from the two mates’ boats, and dash­ing in one side of the upper part of their bows,
but leav­ing Ahab’s almost with­out a scar.

While Dag­goo and Quee­queg were stop­ping the strained planks; and as the whale swim­ming out from them, turned, and showed one entire flank as he shot by them again; at that moment a quick cry went up. Lashed round and round to the fish’s back; pin­ioned in the turns upon turns in which, dur­ing the past night, the whale had reeled the invo­lu­tions of the lines around him, the half torn body of the Parsee was seen; his sable rai­ment frayed to shreds; his dis­tend­ed eyes turned full upon old Ahab.

The har­poon dropped from his hand.

“Befooled, befooled!”–drawing in a long lean breath–“Aye, Parsee! I see thee again.–Aye, and thou goest before; and this, THIS then is the hearse that thou didst promise. But I hold thee to the last let­ter of thy word. Where is the sec­ond hearse? Away, mates, to the ship! those boats are use­less now; repair them if ye can in time, and return to me; if not, Ahab is enough to die–Down, men! the first thing that but offers to jump from this boat I stand in, that thing I har­poon. Ye are not oth­er men, but my arms and my legs; and so obey me.–Where’s the whale? gone down again?”

But he looked too nigh the boat; for as if bent upon escap­ing with the corpse he bore, and as if the par­tic­u­lar place of the last encounter had been but a stage in his lee­ward voy­age, Moby Dick was now again steadi­ly swim­ming for­ward; and had almost passed the ship,–which thus far had been sail­ing in the con­trary direc­tion to him, though for the present her head­way had been stopped. He seemed swim­ming with his utmost veloc­i­ty, and now only intent upon pur­su­ing his own straight path in the sea.

“Oh! Ahab,” cried Star­buck, “not too late is it, even now, the third day, to desist. See! Moby Dick seeks thee not. It is thou, thou, that mad­ly seek­est him!”

Her­man Melville

G K Chesterton’s The Man Who Was Thursday (1908)

G K Chester­ton is best known for his series of quirky sto­ries about ama­teur sleuth and Roman Catholic priest, Father Brown. How­ev­er, it is his 1908 nov­el The Man Who Was Thurs­day which is for me his abid­ing mas­ter­piece, a piece of lit­er­a­ture I have returned to per­haps five or six times in order to recap­ture its deli­cious prose and oth­er­world­li­ness. I even put this old and won­der­ful­ly designed book cov­er onto a T‑shirt!

 At first glance, The Man Who Was Thurs­day is a sus­pense­ful mys­tery sto­ry, a thriller, but it soon becomes appar­ent that this is no mere detec­tive sto­ry; lit­tle is as it seems in this mys­tery, and we find our­selves in deep­er waters than expect­ed. The nov­el­’s sub­ti­tle offers us a clue to this: A Night­mare.

Gabriel Syme is a poet and a police detec­tive; Lucien Gre­go­ry, a poet and bomb-throw­ing anar­chist. At the begin­ning of the nov­el, Syme infil­trates a secret meet­ing of anar­chists and gets him­self elect­ed to it as “Thurs­day,” one of the sev­en mem­bers of the Cen­tral Anar­chist Coun­cil, in the sud­den full knowl­edge of a ham­strung and pet­ri­fied Gre­go­ry.

Syme soon learns, how­ev­er, that he is not the only one in dis­guise, and even as the masks come off, the biggest ques­tion – for both the read­er and the char­ac­ters – is who is Sun­day? What is the true iden­ti­ty of the larg­er than life char­ac­ter who is the supreme head of the anar­chists? The sto­ry unfolds thrilling­ly, and through­out it all we are treat­ed to Chesterton’s exu­ber­ant prose, clever dia­logue and grip­ping style. His wit shines through every scene.

Let’s read an exam­ple of this style, and how Chester­ton con­structs a creep­ing sense of jeop­ardy. Syme, the detec­tive who is dis­guised as a poet, has engaged the anar­chist Gre­go­ry and, on con­di­tion of hav­ing sworn him­self to absolute secre­cy, is tak­en to meet the high­ly dan­ger­ous anar­chist coun­cil. Just pri­or to the arrival of the rest of the anar­chists, Syme lets Gre­go­ry into his own secret…

“Gre­go­ry, I gave you a promise before I came into this place. That promise I would keep under red-hot pin­cers. Would you give me, for my own safe­ty, a lit­tle promise of the same kind?”

“A promise?” asked Gre­go­ry, won­der­ing.

“Yes,” said Syme, very seri­ous­ly, “a promise. I swore before God that I would not tell your secret to the police. Will you swear by Human­i­ty, or what­ev­er beast­ly thing you believe in, that you will not tell my secret to the anar­chists?”

“Your secret?” asked the star­ing Gre­go­ry. “Have you got a secret?”

“Yes,” said Syme, “I have a secret.” Then after a pause, “Will you swear?”

Gre­go­ry glared at him grave­ly for a few moments, and then said abrupt­ly—

“You must have bewitched me, but I feel a furi­ous curios­i­ty about you. Yes, I will swear not to tell the anar­chists any­thing you tell me. But look sharp, for they will be here in a cou­ple of min­utes.”

Syme rose slow­ly to his feet and thrust his long, white hands into his long, grey trousers’ pock­ets. Almost as he did so there came five knocks on the out­er grat­ing, pro­claim­ing the arrival of the first of the con­spir­a­tors.

“Well,” said Syme slow­ly, “I don’t know how to tell you the truth more short­ly than by say­ing that your expe­di­ent of dress­ing up as an aim­less poet is not con­fined to you or your Pres­i­dent. We have known the dodge for some time at Scot­land Yard.”

Gre­go­ry tried to spring up straight, but he swayed thrice.

“What do you say?” he asked in an inhu­man voice.

“Yes,” said Syme sim­ply, “I am a police detec­tive. But I think I hear your friends com­ing.”

G K Chesterton
G K Chester­ton