Richard Wagner’s Ride Of The Valkyries (1870)

There’s nothing quite as Germanic as a Wagner opera, and nothing quite as epic as his magnum opus, Der Ring des Nibelungen (The Ring of the Nibelung). The full cycle of the four parts of The Ring lasts fifteen hours and although pragmatism these days generally means that just one of the parts is performed, I do like the idea of watching it in its entirety. A bit like reading Proust’s In Search Of Lost Time in its 1.2 million word entirety (see my blog on that here). Neither challenge have I yet undertaken, I should say, but back in 1876, it must have been some spectacle to have attended the famous Bayreuth Festival, when the full cycle was performed for the first time, over four days: Das Rheingold (The Rhinegold), Die Walküre (The Valkyrie), Siegfried, and Götterdämmerung (Twilight of the Gods)

The opera is loosely based on characters from Germanic and Norse heroic legend and centres around the eponymous magic ring that grants dominion over the world and how it is fought over by generations of gods, heroes and mythical creatures, until the final cataclysm at the end of the Götterdämmerung. The complexity of the epic tale is matched by the increasing complexity of the music as it progresses, and Wagner wrote for such a gargantuan orchestra that a special purpose-built theatre was built at Bayreuth.

The piece that we all know is the Ride of the Valkyries from Die Walküre, containing that rousing leitmotif as the Valkyrie sisters of Norse mythology (“choosers of the slain”) transport the fallen heroes to Valhalla. The music was used in Apocalypse Now (1979) where it was played on helicopter-mounted loudspeakers during the American assault on Vietcong-controlled villages. And just recently, in the excellent and grittily honest TV documentary film, Our Falklands War: A Frontline Story, it was revealed that it was similarly played loudly over the tannoy as 2 Para were getting into the landing craft in preparation for their first assault on the Falkland Islands.

Here’s a version from the BBC Proms, best enjoyed from a sofa rather than a landing craft.

Cesare Viazzi, Ride of the Valkyries (1906)

 

Michelangelo’s Sistine Chapel Ceiling (1512)

Well, I suppose it had to happen sooner or later, what with the Creation of Adam being astride the top of these blogs week in, week out: it’s time to look at that apex predator of the Renaissance art world, and number one cause of visitors’ neck strain, the Sistine Chapel. No visit to Rome is complete without it, and perhaps no blog on the sublime can afford to omit it.

First, a whistle-stop history tour: Sistine Chapel 101, if you like. Meet Pope Sixtus IV, pope between 1471 and 1484:

Pope Sixtus IV

It was Sixtus (adjective “Sistine” in case you need that mansplained) who commissioned the building of the chapel, which was completed in 1481 and has served ever since as the Pope’s official residence. Sixtus is also known for founding the Spanish Inquisition, but that’s another story, let’s stick with the chapel. He arranged for a team of painters (not Michelangelo yet – he comes later – but including two other famous names, Botticelli and Ghirlandiao) to create a series of frescoes on the walls, depicting the lives of Moses and Jesus.

Fast forward to 1508 and Pope Julius II is in charge (Julius was a relative of Sixtus: nepotism was another of Sixtus’s strong suits):

Pope Julius II

Julius commissioned Michelangelo to complete the decoration of the chapel by painting the ceiling, which he completed four years later in 1512. This was a project that changed the course of Western art and is rightly regarded as one of the crowning artistic accomplishments of human civilisation. Replete with biblical scenes,  stories and characters, the ceiling is a riotous collection of limbs and draperies, at first glance, and indeed a photo of the ceiling doesn’t really do it justice – but given time to appreciate (whilst not bumping into fellow tourists), it is an artistic tour de force that warrants its fame. Click on these images to expand; the first to spot the Creation of Adam wins a prize…