Julie Walters in Victoria Wood’s sketch, Two Soups (1986)

Victoria Wood’s collaborations with Julie Walters over the years spawned many a rich reward. Wood’s wit produced great ideas for characters, and Walters’ instinctive comic timing and gift for nuanced physical comedy brilliantly brought those characters to life. The series of sketches around Acorn Antiques, for example, provided the ideal showcase for Walters to ham it up as the glorious character that was Mrs Overall, or more accurately, the gloriously inept actress that played the character in this send-up of low-budget, shoddily performed, daytime soap opera.

The showcase I have selected for this blog, however, is the sketch, Waitress (popularly known as Two Soups), in which Walters plays an elderly, deaf, shaky, and painfully slow waitress, serving a couple who are only too aware one of them has a train to catch and simply want a quick meal. This simple premise, replete with possibilities for that typically British comedy of frustration, is enough for Walters to take the ball and run faster and further with it than probably even Victoria Wood imagined at first.

Witness Walters’ shuffling gait, wobbly head and fixed smile – this is physical comedy of the first order, and we’re laughing before she opens her mouth. With her bad memory and dangerously maladroit handling of the crockery, this unfit-for-purpose waitress should have hung up her apron strings years ago, but for now let’s thank the forbearance of her employer as we enjoy this infuriating but hilarious performance. Needless to say, the couple’s plans for a quick meal are thwarted.

Julie Walters

The Book of Kells (c.800)

The Book of Kells, held in Dublin’s Trinity College Library, is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament. It was created in a Columban monastery in Ireland around 800 AD, and it’s a masterwork of Western calligraphy. It represents the pinnacle of insular illumination (“insular” deriving from insula, the Latin for “island” and referring to post-Roman art of Britain and Ireland). It is also widely regarded as Ireland’s finest national treasure, and although I haven’t yet made it past the pubs of Dublin to view it, it’s definitely on the list.

The illustrations and ornamentation of the Book of Kells are exquisite. The decoration combines traditional Christian iconography with ornate, swirling motifs. There are figures of humans, animals, mythical beasts, along with Celtic knots and interlacing patterns in vibrant colours, all scribed onto leaves of high-quality calf vellum with iron gall ink (the standard ink used in Europe, made from iron salts and tannic acid extracted from oak galls) and colours derived from a wide range of substances imported from distant lands.

The manuscript takes its name from the Abbey of Kells, in County Meath, which was its home for centuries. Its exact place of origin is uncertain, although it is widely thought to have been started at Iona and then later completed in the scriptorium at Kells itself. Regardless, it’s true to say that the Columban monks responsible for its creation had skills in calligraphy honed to a remarkable degree.